What you'll learn
Getting To know How To Get The Likeness Of The Model
Mixing Skin Tones With Ease
Understanding the hue ,value , edges, chroma or intensity of color
Anyone can draw or paint if given proper guidance
Requirements
should have interest in drawing and painting
Description
This course is for everyone serious learners.The portrait is done in Alla Prima style, painted mostly in two sittings.Getting to know the likeness of model with the help good drawing is explained.Understanding of light and shadow is explained .Importance of brush strokes has been given major importance.The advantages of Portrait painting in Oil Paint include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark".Edges, types of edges, and edge control to create a focal point, Basic color theory., Value and color relationship using the color wheel and its relationship with the value scale.Painting the face and figure will ALLWAYS force you to focus hard on accuracy. If the nose is a little to the right, or too long, it will certainly be noticed—as opposed to a missing limb on a tree or the proper length of a house.I suggest using a plumb line and level when painting portraits and figures, but even with those tools, you will quickly learn to deal with criticism—at the very least, your subject will be there to judge your work!Portraits are effective and compelling when they tell us something about the person. A good portrait is not just a visual representation of a person; it will also reveal something about the essence of the personA strong portrait captivates viewers, draws them into the painting, and engages their attention. Such a portrait painting causes the viewer to wonder about the person depicted. In this way a portrait painting or drawing can function as a biography - telling the story of that person's life.Who this course is for:Students wanting to learn how to Paint Portrait in oil colorStudents willing to put in a couple hours everydayStudents willing to take action and start painting amazing artworkStudents wanting to add another skill to their tool belt
Overview
Section 1: Introduction
Lecture 1 Introduction
Section 2: Instructor Introduction
Lecture 2 Instructor Introduction
Section 3: The Campitura/Toning of the canvas
Lecture 3 The Campitura /Toning of the canvas
Section 4: Color Palatte
Lecture 4 Color Palette
Section 5: The Drawing Stage or Block-In
Lecture 5 The Drawing Stage or Block-In
Section 6: The Drawing Stage Continues and Putting the Big Colors
Lecture 6 The Drawing Stage Continues and Putting the Big Colors
Section 7: Massing The Big Color Continues
Lecture 7 Massing The Big Color Continues
Section 8: Massing The Light and Shadow Shapes
Lecture 8 Massing the Light and Shadow Shapes
Section 9: Building The Light Form
Lecture 9 Building The Light Form
Section 10: Building the Light Form Continues
Lecture 10 Building The light Form Continues
Section 11: Building The Light Form Continues
Lecture 11 Building the Light Form Continues
Section 12: Building the Light Form Continues
Lecture 12 Building the Light Form Continues
Section 13: Variation of Darks or Different values in Shadow
Lecture 13 Variation of Darks or Different Values in Darks
Section 14: Variation of Darks continues
Lecture 14 Variation of Darks Continues
Section 15: Painting The Eyes
Lecture 15 Painting the Eyes
Section 16: Painting the features of the face
Lecture 16 Painting the features of the face
Section 17: Painting the features of the face Continues
Lecture 17 Painting the features of the face continues
Section 18: Painting the hair and other part of Portrait
Lecture 18 Painting the Hair and other parts of face
Section 19: Final Touches and Texture
Lecture 19 Final Touches and texture
Section 20: Final finishing of the portrait
Lecture 20 Final Finishing of the Portrait Painting
For beginners to Advanced learners



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