Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect.
Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.

Resound's echoes can either be synced to the host tempo (expressing delay s as musical subdivisions of a beat, each echo will be exactly in with the host) or in free- mode (allowing any delay , up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.

True independent stereo processing means that left and right channel separation is preserved. Resound is also capable or running in mono, or even mono to stereo.

With optimized audio algorithms that won't overload your processor, rock-solid stability, and easy integration with any MIDI hardware controller, Resound is ideal for live work. With a simple and intuitive interface, flexible Bank and Program management, and total parameter automation, Resound fits right into your studio environment.

PLATFORM: EXE/VST/VST3/AAX

Updates: official site does not provide any info about changes in this version.



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