Pass Trinity Grade 5 Music Theory with Distinction!
Build on your knowledge of how music works, and how to pass the Trinity exam
Further your skills in composition and harmony
Practise your skills with the included PDF, exercises and tests!
Requirements
You should already have covered the topics in Trinity Grades 1-4 Music Theory
You don't need any extra equipment or software to take this course - all materials are provided.
You need to be motivated to learn how music works
Description
Grade 5 Music Theory TrinityThis Grade 5 Music Theory video courses covers the Trinity syllabus in full.Rhythm and FormTime signatures of 4/2, 6/4 and 7/4Time signature changes within an extractRules for grouping note and rest values within new time signatures (including grouping indications at the beginning of bars or scores, e.g. 2,3 or 3,2)Grouping demisemiquavers (32nd notes) in simple and compound timeSemiquaver (16th note) tripletsThe breve (double whole note)Strophic, Verse and Refrain (or Chorus) and binary formsPitchNaming and using notes in tenor clefAb, Db, E and B major keys (for all major keys for the grade: scales, key signatures, one-octave arpeggios, broken chords and tonic triads (root, first or second inversion))F, Bb, C# and G# minor keys (for all minor keys for the grade: scales — natural (Aeolian mode) and harmonic and melodic, key signatures, one-octave arpeggios, broken chords and tonic triads (root, first or second inversion))Identifying the key of a piece in Ab, Db, E or B major, and F, Bb, C# or G# minor2nd degree of the major/minor scale being known as the supertonic or re (major keys only)Supertonic triads for all keys covered so farMajor/minor supertonic triad labelled:— as a chord symbol above the music (e.g. Dm in the key of C major or B dim (or B°) in the key of A minor)— as a Roman numeral below the music (e.g. ii in the key of C major or ii° (dim) in the key of A minor)Recognising imperfect cadencesDouble sharps and double flats and general enharmonic equivalentsRecognising and writing C and G pentatonic major scalesInversions of all intervals covered in Grades 1–4 within an octaveRecognising and writing accented passing notes and understanding acciaccatura, appoggiatura, upper and lower mordents and trillsUnderstanding upper and lower auxiliary notesWriting tonic, supertonic, subdominant, dominant or dominant 7th chords in root, first or second inversions in any key for the grade as well-balanced 4-part chords for SATBTransposing a tune up or down any major, minor or perfect interval within an octave (within the keys for the grade) or for transposing instruments for the gradeRanges of the alto saxophone in Eb and trumpet and clarinet in Bb as defined in the Trinity workbookConcept of modulationIdentifying a modulation to the dominant or the relative major/minor keysMusical terms and symbols
Overview
Section 1: Introduction
Lecture 1 Introduction to Trinity Grade 5 Music Theory
Section 2: Pitch
Lecture 2 Double Sharps and Flats
Lecture 3 The Tenor Clef
Section 3: Rhythm
Lecture 4 The Breve (Double Whole Note)
Lecture 5 Demisemiquavers (32nd Notes)
Lecture 6 Semiquaver (16th) Triplets
Lecture 7 Unusual Time Signatures (4/2, 6/4 and 7/4)
Section 4: Scales
Lecture 8 E Major Scale
Lecture 9 B Major Scale
Lecture 10 G# Minor Scale
Lecture 11 C# Minor Scale
Lecture 12 Ab Major Scale
Lecture 13 Db Major Scale
Lecture 14 F Minor Scale
Lecture 15 Bb Minor Scale
Lecture 16 Technical Names
Lecture 17 Scales in the Tenor Clef
Lecture 18 Pentatonic Major Scales
Lecture 19 Scales Reference Download
Section 5: Keys
Lecture 20 Relative Major and Minor Keys
Lecture 21 Key Signature Patterns
Lecture 22 The Circle of 5ths
Lecture 23 Identifying the Key
Lecture 24 Modulation
Lecture 25 Identifying Modulation
Section 6: Intervals and Transposition
Lecture 26 Inverted Intervals
Lecture 27 Transposition by Any Interval
Section 7: Harmony
Lecture 28 Chords ii and ii°
Lecture 29 Chord Symbols Review
Lecture 30 Imperfect Cadence
Lecture 31 SATB Voicing (Spacing)
Lecture 32 Writing Chords in 4-Part Harmony
Lecture 33 Accented Passing Notes
Lecture 34 Auxiliary Notes
Section 8: Style and Form
Lecture 35 Binary Form
Lecture 36 Strophic Form
Lecture 37 Verse and Refrain
Section 9: Orchestration
Lecture 38 Woodwind and Brass for Grade 5
Section 10: Musical Terms and Symbols
Lecture 39 Musical Terms and Symbols
Section 11: Ornaments
Lecture 40 Introduction to Ornaments
Lecture 41 Acciaccatura
Lecture 42 Appoggiatura
Lecture 43 Mordent
Lecture 44 Trill
Section 12: Composition
Lecture 45 Setting Words to a Rhythm - Review
Lecture 46 2-Part Compositions with Decoration and Chord Inversions
Lecture 47 2-Part Composition - Adding the Melody to a Bass
Lecture 48 2-Part Composition - Adding the Bass to a Melody
Section 13: Practice Test
Lecture 49 Trinity Grade 5 Practice Test
This course is for candidates preparing for Trinity Grade 5 Music Theory
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